The Planets In Order

Baldr sky routes download. This article is about the orchestral suite by Gustav Holst. For the celestial body, see. For the planets in the solar system, see.

For other uses, see.The Planetsby32Based onComposed1914 ( 1914)–16MovementssevenScoringPremiereDate29 September 1918 ( 1918-09-29)Location, LondonConductorThe Planets,. 32, is a seven- orchestral by the English composer, written between 1914 and 1916.

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Each movement of the suite is named after a of the and its corresponding character as defined by Holst.From its premiere to the present day, the suite has been enduringly popular, influential, widely performed and frequently recorded. The work was not heard in a complete public performance, however, until some years after it was completed. Although there were four performances between September 1918 and October 1920, they were all either private (the first performance, in London) or incomplete (two others in London and one in ). The premiere was at the on 29 September 1918, conducted by Holst's friend before an invited audience of about 250 people.

The first complete public performance was finally given in London by conducting the on 15 November 1920. The, in London, where The Planets premiered in 1918The concept of the work is rather than (which is why is not included, although are also not included while including the non-traditional Uranus and Neptune): each movement is intended to convey ideas and emotions associated with the, not the. The idea of the work was suggested to Holst by, who introduced him to astrology when the two were part of a small group of English artists holidaying in in the spring of 1913; Holst became quite a devotee of the subject, and would cast his friends' horoscopes for fun. Holst also used 's book What is a Horoscope? As a springboard for his own ideas, as well as for the subtitles (e.g., 'The Bringer of.'

) for the movements.On 17 January 1914 Holst attended a performance of 's, at the Queen's Hall, conducted by Schoenberg's pupil. Holst quickly acquired a copy of the score, the only Schoenberg score he ever owned. This influenced Holst at least to the degree that the working title of his own composition was Seven Pieces for Large Orchestra.When composing The Planets Holst initially scored the work for four hands, two pianos, except for Neptune, which was scored for a, as Holst believed that the sound of the piano was too percussive for a world as mysterious and distant as Neptune. Holst then scored the suite for a large orchestra, in which form it became enormously popular. Holst's use of orchestration was very imaginative and colourful, showing the influence of such contemporary composers as and, as well as such late Russian romantics as.

Its novel sonorities helped make the work an immediate success with audiences at home and abroad. Although The Planets remains Holst's most popular work, the composer himself did not count it among his best creations and later in life complained that its popularity had completely surpassed his other works. He was, however, partial to his own favourite movement, Saturn. Premieres. Just before the Armistice, Gustav Holst burst into my office: 'Adrian, the YMCA are sending me to quite soon and, bless his heart, has given me a parting present consisting of the, full of the Queen's Hall Orchestra for the whole of a Sunday morning. So we're going to do The Planets, and you've got to conduct.'

Adrian BoultThe orchestral premiere of The Planets suite, conducted at Holst's request by, was held at short notice on 29 September 1918, during the last weeks of World War I, in the with the financial support of Holst's friend and fellow composer. It was hastily rehearsed; the musicians of the Queen's Hall Orchestra first saw the complicated music only two hours before the performance, and the choir for Neptune was recruited from pupils from and (where Holst taught). It was a comparatively intimate affair, attended by around 250 invited associates, but Holst regarded it as the public premiere, inscribing Boult's copy of the score, 'This copy is the property of Adrian Boult who first caused the Planets to shine in public and thereby earned the gratitude of Gustav Holst.'

Holst's inscription on Boult's scoreA public concert was given in London under the auspices of the on 27 February 1919, conducted by Boult. Five of the seven movements were played in the order Mars, Mercury, Saturn, Uranus, and Jupiter. It was Boult's decision not to play all seven movements at this concert. He felt that when the public were being given a totally new language like that, 'half an hour of it was as much as they could take in'. The anonymous critic in Hazell's Annual called it 'an extraordinarily complex and clever suite'.

At a Queen's Hall symphony concert on 22 November of that year, Holst conducted Venus, Mercury and Jupiter (this was the first public performance of Venus). There was another incomplete public performance, in, on 10 October 1920, with five movements (Mars, Venus, Mercury, Saturn and Jupiter). It is not clear whether this performance was conducted by or the composer.His daughter recalled, 'He hated incomplete performances of The Planets, though on several occasions he had to agree to conduct three or four movements at Queen's Hall concerts. He particularly disliked having to finish with Jupiter, to make a 'happy ending', for, as he himself said, 'in the real world the end is not happy at all'.The first complete performance of the suite at a public concert did not occur until 15 November 1920; the (LSO) was conducted. This was the first time the movement Neptune had been heard in a public performance, all the other movements having been given earlier public airings.The composer conducted a complete performance for the first time on 13 October 1923, with the Queen's Hall Orchestra at a Promenade Concert.

Holst conducted the LSO in two recorded performances of The Planets: the first was an acoustic recording made in sessions between 1922 and 1924 (now available on Pavilion Records' Pearl label); the second was made in 1926, and utilised the then-new electrical recording process (in 2003, this was released on compact disc by and later on outside the United States). Because of the time constraints of the, the tempo is often much faster than is usually the case today. Instrumentation The work is scored for a large consisting of the following instrumentation. The movements vary in the combinations of instruments used., the (1914)., the (1914)., the (1916)., the (1914)., the (1915)., the (1915)., the (1915)Holst's original title, as seen on the handwritten full score, was 'Seven Pieces for Large Orchestra'.

Holst almost certainly attended an early performance of Schoenberg's in 1914 (the year he wrote Mars, Venus and Jupiter), and owned a score of it, the only Schoenberg score he ever owned. Main article: Adaptations Non-orchestral arrangements. – an engraved copy of Holst's own piano duet arrangement was found by John York.

Two pianos (duo) – Holst had originally sketched the work for two pianos, due to a need to compensate for the in his right arm. His two friends, Nora Day and Vally Lasker, had agreed to play the two-piano arrangement for him as he dictated the details of the orchestral score to them. This they wrote down themselves on the two-piano score, and used as a guide when it was time to create the full orchestral score. The two-piano arrangement was published in 1949. Main article:Holst adapted the melody of the central section of Jupiter in 1921 to fit the metre of a poem beginning '. As a it has the title, after the where Holst lived for many years, and it has also been used for other hymns, such as 'O God beyond all praising' and 'We Praise You and Acknowledge You' with lyrics by Rev. I Vow to Thee, My Country' was written between 1908 and 1918 by Sir and became known as a response to the human cost of World War I.

The hymn was first performed in 1925 and quickly became a patriotic anthem. Although Holst had no such patriotic intentions when he originally composed the music, these adaptations have encouraged others to draw upon the score in similar ways throughout the 20th century. The melody was also adapted and set to lyrics by and titled '.

The song is used as the theme song for the and appears in most television coverage and before matches. See also.Notes., p. 240. ^ The Musical Times, December 1920, p. 821 (subscription required). ^ 'HOLST Suite: The Planets' (compares compositions & history), Len Mullenger, Olton Recorded Music Society, January 2000, webpage:: in 1913 went on holiday to with, and his brother, and who spent the entire holiday discussing astrology. ^ 'The Great Composers and Their Music', Vol.

50, Marshall Cavendish Ltd., London, 1985. As quoted on p1218. Www.schoenberg.at. Garnham, Alison (23 October 2003). Ashgate – via Google Books. Doctor, Jennifer; Doctor, Jennifer Ruth (23 October 1999). Cambridge University Press – via Google Books.

Short, p. 131. Boult, Sir Adrian (1967), Liner note to EMI CD 5 66934 2.

^ Boult p. 35. 'The Definitive CDs' (CD 94), of Holst: The Planets (with: Enigma Variations), Norman Lebrecht, La Scena Musicale, 1 September 2004, webpage:.

Archived from on 16 May 2008., April 1919, p. 179 (subscription required). ^ Holst, Imogen, A Thematic Catalogue of Gustav Holst's Music.

Faber, 1974. Kennedy, p. 68. Foreman, Lewis, Music in England 1885–1920, Thames Publishing, 1994.

The Musical Times, January 1920, p. 32 (subscription required). Greene (1995), p. 89. The Musical Times, 1 November 1920, p. 769; and 'Municipal Music in Birmingham', 11 October 1920, p. 6.

Holst, Imogen, A Thematic Catalogue of Gustav Holst's Music. Faber, 1974, at page 125. at Naxos.com.

Sanders, Alan, 'Gustav Holst Records The Planets', Gramophone, September 1976, p. Archived from (PDF) on 25 December 2017.

Retrieved 6 December 2013. ^ from The Musical Times, Vol. 1734 (August 1987), pp. 422–427. Short, p. 103.

^ Collected Facsimile Edition vol. 3, Faber 1979. Introduction by Imogen Holst. Full score, Bodleian Library MS.

12 March 2017. Retrieved 2 October 2017. Head (2014): p. The History Press. Retrieved 29 January 2019. Weir, William (14 September 2014).

Retrieved 16 September 2014. 'The Planets' (full orchestral score): Goodwin & Tabb, Ltd., London, 1921. Philharmonia Orchestra. BBC Music Events.

Archived from on 1 August 2017. Retrieved 31 July 2017. CS1 maint: archived copy as title. Kemp, Linsay (1996) Liner notes to Decca CD 452–303–2. Hambrick, Jennifer.

WOSU Public Media. Retrieved 12 January 2019.

Scott Rohan, Michael, August 2001, p. Hyperion Records.

Wind Repertory Project. Retrieved 6 July 2019. Notes from Amazon, webpage:. Notes to The Planets, Arranged for Two Pianos by the Composer, J. Curwen & Sons, London. Holst: Music for Two Pianos, Naxos catalogue no. Retrieved 23 January 2019.

Peter Sykes. ' 29 September 2011 at the.' HB Direct, Released 1996. Retrieved 6 December 2013. Universal Edition. Retrieved 21 March 2016.

George Morton. Retrieved 21 March 2016. Isao Tomita. HB Direct, Released 1976. Grogan, Christopher. Imogen Holst: A Life in Music. Boydell Press (2010), p.

422. at 4barsrest.com.

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Archived from on 31 July 2013., Retrieved 31 March 2013. Paste Magazine. Metal Blade Records. Archived from on 25 August 2012. Retrieved 27 July 2017.

CS1 maint: archived copy as title. 26 October 2013.

Retrieved 6 December 2013. – via www.youtube.com. Www.youtube.com.

Malfarius (3 March 2015). – via YouTube. at last.fm (in English). Shobe, Michael. And Kim Nowack.

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(Jun 12, 2006). Safety Squad (Apr 6, 2018). Retrieved 22 November 2018. Archived from on 16 April 2009. Retrieved 1 March 2009. Retrieved 10 May 2018. ^ Rayner, Gordon (24 September 2015).

The Telegraph. Retrieved 28 March 2017.Sources. Boult, Adrian (1973). My Own Trumpet. London: Hamish Hamilton. Greene, Richard (1995).

Holst: The Planets. Cambridge: Cambridge University Press. Head, Raymond (2014). Gustav Holst: The Planets Suite - New Light on a Famous Work. Sky Dance Press. Kennedy, Michael (1987).

London: Hamish Hamilton. Lebrecht, Norman (2008). Knopf Doubleday Publishing Group.

Short, Michael (1990). Gustav Holst: The Man and his Music.

Oxford: Oxford University Press.External links. Links to public domain scores of The Planets:.

(Score in the Public Domain).: Scores at the (IMSLP). (PDF).

Online recordings:. of 'The Planets' (containing some errors, however). Sheet music:. (contains rare complete piano arrangement of Jupiter).